Where the minor four can be considered a functional chord substitution, the flat seven falls under the category of borrowed chords. Unlike the minor four, the flat seven doesn’t clearly lead the listener in any particular direction. The flat seven is a really flexible cord that can work in a variety of placements in a chord progression.
#Chromatic music definition full
Go down a full step from the tonic note to arrive at the flat seven scale degreeīuild a major chord with the flat seven scale degree as the root This contrasts the feel of the previous section that uses only diatonic chords. The flat seven can be heard clearly as the third chord in the song’s B-section (the first flat seven appears at exactly 1:11). Let’s give it a listen! Here’s a flat seven in “The Less I Know The Better” by Tame Impala. It can be hard to describe the sound of a flat seven in words, but it certainly changes up the feel. The flat seven takes some of the sound of the Mixolydian mode and brings it to the common major scale. From top 40 to punk rock, it has its place as one of the most common chromatic chords used by songwriters. The flat seven is another familiar sound in pop music. In this case, the minor four has the same function as a dominant V chord, which means it generally leads the listener back to tonic.īut remember, there are no rules-try it out and see where your ears take you! 2. To explain this with music theory, the minor four falls under the category of functional chord substitutions, meaning that it stands in for another chord that has the same function. The minor four chord works well in this position because it draws the listener back to your key center. This chord works well when placed preceding your tonic chord (the chord that is at the key center of your song-if your song is in E major, then E major is your tonic chord). Follow the major scale up from the root to the fourth degreeīuild a minor chord with the fourth degree as the root note
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